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FeralAIR
International Residency Program at Schmiede Hallein

FeralAIR at Schmiede Hallein

Logo https://salzburgair.pageflow.io/feralair

Welcome to FeralAIR

The Feral Labs Network’s artist in residence program at Schmiede Hallein. Feral Labs Network is an EU initiative to support temporary dislocated hubs for research in art, technology and communities.
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Feral Labs Network is a European collective of temporary dislocated hubs for research in art, technology and communities. Our project’s activities include various Artist-In-Residence (AIR) initiatives. The aim of these AIR programmes is to enhance and enable projects between the arts and the maker movement. In September 2019, FeralAIR took place in Hallein, in close cooperation with the international program Schmiede Hallein.
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Partners & Credits

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Welcome to FeralAIR 2019

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Antoni Rayzhekov

Antoni Rayzhekov is a media artist, based in Sofia and Vienna. In his current project Boreout he is researching the field of affective computing. In other words: He is trying to make a computer understand the emotional state of its audience.
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To reveal a blurred out picture, the audience has to get really bored. A computer is measuring their brain activities: if the participants are bored enough, the picture gets clear and the accompanying sounds turn into music.

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For Antoni, boredom has very creative, recreational and even political aspects to it. By participating in the installation, people are creativelly "forced" to defocus and self reflect.

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We asked Antoni about his impressions and experiences at FeralAIR 2019 and how his project developed during the residency.

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APNOA & Rohrmoser

During their FeralAIR residency Claudia Rohrmoser and the artist duo APNOA (Sebastian Drack & Tobias Feldmeier) worked on a project called Apparatus Solitaire, an audiovisual site-specific installation. It was assembled inside the “Verdampferturm” tower, which is part of the former salt plant.
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The installation aimed to create sensorially perceivable intersections between the real-manifested and the virtual-latent anthropogenic environments. A machine learning algorithm, trained with concepts of industrial architecture, was slightly transforming the unique industrial surrounding inside the tower.
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Before/after view

Transforming spaces

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The projection surfaces, placed 5 meters above the audience, were visually exposing phases of the algorithm, as they were genetically intertwined with the architecture. On-site sound recordings were creating a stunning 3-dimensional sound perception. Sound, light and space together were transforming the characteristics of the environment in real-time.
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Video Designer Claudia Rohrmoser was born in Salzburg, Austria. She studied Experimental Media Design at Berlin University of the Arts and Multimedia Arts at the FH Salzburg University of Applied Sciences. Focusing on visual music, her works include animation shorts, documentaries and video scenography. Rohrmoser worked several years as a lecturer in experimental animation at FH Salzburg and as a professor of motion design at the BTK and UE University of Applied Sciences in Berlin. Currently she is professor in Digital Media and Experiment at FH Bielefeld University of Applied Sciences.

APNOA is an audiovisual collective, founded by Sebastian Drack and Tobias Feldmeier. The artists aim for forward-thinking ideas and strategies in practice and theory, in order to provide immersive multi-sensory experiences and narratives, presented as audiovisual performances, installations and multimedia productions. Their work is settled in the field of performative interaction and seek for an ambiguous character generating synesthetic correlations whithin the act-theoretical semantics and immediate, aesthetic perception.


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Chun Shao

In her project, artist Chun Shao explores the relationship between feelings and tactile sensations. Playing with the experience of touch, her project Emotive-textiles presents a series of tangible emotions through a half-traditional and half-digital crafting process.
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Chun's current project derives from another work called HerFinger. Both projects are investigating the various relations between human feelings, textile materials and movement: To create organically moving textures, traditional embroidery stitches, beading, and fabric manipulation techniques are explored and interweaved with electronic actuators.

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Silicon features different degrees of tenderness and forms an uncanny association with the human skin. In her work, Chun reflects on the material and the role it plays in manipulating our own body.

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In her work, Chun is interested in the relationship between individual, society and technology. In this context wearables are particularly interesting. They reference to the absence of the human body.

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Welcome to FeralAIR 2020

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Fara Peluso & Berhard Hollinger

Working with living organism, the Bioartist and Biodesigner Fara Peluso investigates on science and methodologies of speculative design. For the project Fields, she teams up with musician, composer, and visual artist Bernhard Hollinger.
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The project Fields explores new possibilities of using self-made bioplastic in the music industry. We asked Fara and Bernhard, how they came up with the idea of vinyl records made of living organisms.

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Bringing together DIY, Bioart and Music: This is what Fara and Bernhard are trying to do at FeralAIR 2020.

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We asked Fara and Bernhard why they participated in FeralAIR and what they like about the idea of a residency in general.

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Lucie Strecker & Daniel Aschwanden

As choreographer and performer Daniel Aschwanden follows transdisciplinary approaches questioning media from a choreographic perspective. With a background in hybrid arts, Lucie Strecker conduces a research project on the ‘performativity of biofacts’ at the university of applied arts in Vienna.
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During the FeralAIR residency the artists worked on their project DOG_man.2180.a biofiction, dedicating their investigation on notions of the hybrid as well as transhumanism and micro-performativity.

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Confronting different theoretical as well as poetic texts, Lucie Strecker and Daniel Aschwanden discuss several ethical questions like the research on DNY modification and its unpredictable consequences in the far future regarding the continuous change of paradigms.

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The aim of the artists is not to present but to rather face the subject by self-experiment, translated into poetic language. Therefore, FeralAIR provides an exchange with other artists working on similar topics and having different perspectives.

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Stefanie Wuschitz

Stefanie Wuschitz works on several artistic research activities like the ongoing peek project at the academy of fine arts in Vienna. She puts particular focus on Critical Media Practices like feminist hacking, open source technology, or peer production and she is part of the collective Mz* Baltazar's Laboratory.
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Founded in 2009 the feminist hackerspace Mz* Baltazars Laboratory encourages technologies that are developped with female perspective. Open source technology is the basis of its philosophy.

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For her Project at Schmiede Hallein, Stefanie Wuschitz portrays feminist artists and hackers. The portraits are graved into acrylic discs which project the drawings on a wall. Through the kinetic interactive relation, the faces of the artists are deconstructed and recombined proposing thereby ‘the new feminist hacker artists from tomorrow’.

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At FeralAIR Stefanie Wuschitz appreciates the fact of being surrounded by many 'amazing' artists which allows a vital exchange on different subjects of concern.

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Overview
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Chapter 1 Welcome to FeralAIR

Welcome to FeralAIR

What is FeralAIR?

Chapter 2 Partners & Credits

Partners & Credits

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